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What is Voice

Cases on Models and Methods for STEAM Education
At a minimum, this is the utterance of the possible sounds a human can make. At a maximum, voice is the ability to express personal ideas.
Published in Chapter:
Musing on Unanswered Questions
Meta Lee Van Sickle (College of Charleston, USA) and Merrie Koester (University of South Carolina, USA)
Copyright: © 2020 |Pages: 20
DOI: 10.4018/978-1-5225-9631-8.ch001
Abstract
Out of a conversation between two long-time colleagues—each a science educator and practicing artist—emerged the question, “What does it mean to STEAMify a lesson, and why would a teacher actually choose to do such a thing, other than, say, for-grant-writing-purposes?” Their science selves really liked the idea of a STEAM system, acted upon by forces, both from the outside and from within, and with energy flowing and cycling, all the while transforming grey matter in ways that sustained the teaching/learning process. When it came to their art; however, their dialogue followed pathways grooved by long years of practice and hard work in their respective fields. One author is a seasoned vocalist, trained in the nuances of both individual and group vocal performance as well as the attendant dimensions of music, its composition and phraseology. The other is a painter, poet, and novelist, shaping words, color, and line to tell stories and communicate ideas. What was significant to each was that their artistic habits of mind had shaped their axiology, transforming their ways teaching.
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What Are We Missing?
Someone’s ability to be heard and the noise emitted.
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Using the COVA Approach to Promote Active Learning in Digital Learning Environments
Learners are given the opportunity to use their own voice (V) to structure their work and ideas and share those insights and knowledge with their colleagues within their organizations.
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Developmental Writing and MOOCs: Reconsidering Access, Remediation, and Development in Large-Scale Online Writing Instruction
Encompasses the student’s physical voice that is often absent in text-focused online learning environments, and also the ways in which students and instructors modify their voices (physical and rhetorical) within the online environment.
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The Use of Engagement Resources in English, Arabic, and EFL Applied Linguistics Research: A Contrastive Study Within an Appraisal Theoretic Perspective
(1) The source to which the thoughts being discussed belong, hence, authorial voice vs. other voices; and (2) the result of the amalgamation of repeatedly co-occurring patterns of interpersonal resources, hence tentative voice vs. assertive voice.
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Voice, Silence, and Diversity: A Case of Transnational Academics
It is a means of expressing individual views and/or ideas on day-to-day work-related activities and significant decision-making processes based on their experiences and expertise.
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The Polyphonic Model of Hybrid and Collaborative Learning
A distinct position, an utterance, an event or a recurrent series of events of emitting utterances that are heard, reminded, discussed and have influence on the utterances emitted of the other voices.
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Convergence and Divergence at Work: Cross-Cultural Interactions With a Difficult Co-Worker
Constructive actions for improvement of the situation by making it known to management.
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Speaking with Trunks, Dancing with the “Pink Elephants”: Troubling E-Racism, E-Classism, and E-Sexismin Teaching Multicultural Teacher Education
Oral agency; the skill, ability, and will to express critically conscious—counterhegemonic or anti-status quo—feelings, opinion, beliefs, and factual knowledge about issues of oppression manifest in society at large and/or expressed by specific members of society.
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E-Democracy: An Enabler for Improved Participatory Democracy
The sound produced in a person’s lungs and uttered through the mouth, as speech or song.
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Learning All the Time and Everywhere: Moving Beyond the Hype of the Mobile Learning Quick Fix
Learners are given the opportunity to use their own voice (V) to structure their work and ideas and share those insights and knowledge with their colleagues within their organizations. The opportunity to share this new knowledge publicly with people other than the instructors helps the learner to deepen their understanding, demonstrate flexibility of knowledge find their unique voice, sense of purpose and a greater sense of personal significance ( Bass, 2014 ).
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The Struggles of Bilingual Authors: Developing Identity in the Additional Language
The consistent yet distinctive traits that form a unique writing style for an author.
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Academic, Emotional, and Social Growth in the Second Language Classroom: A Study of Multimodality
A quality of language that reflects authorial choice; an agentive lens for understanding reading, writing, and learning processes.
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Identity Exploration as a Tool to Enhance Academic Engagement and Growth
An emergent and situated quality of written discourse that helps signify the agency, intentions, perceived competence, and ethos of a writer or emerging writer.
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The Repertoire of Unconventional Participation: Lessons From the European Social Survey
It is when people express a disagreement about a political decision or leaders. According to the model developed by Hirschman, the voice refers to the participation of individuals that try to affect the political decisions of an organization.
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Gender Relations in the Black Church: Pentecostal Ecclesiology and Women's Leadership Roles in Transition
The matter of being part of the governing and decision-making processes of the church. This implies leadership by churchwomen being at a certain level where change can take place.
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Appraisal Theory: Opportunities for Social Networking Sites' Complementation of Writing Centres
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