ImGame Project: A Comprehensive Theory of Immersive Aesthetics and Innovation in Serious Gaming

ImGame Project: A Comprehensive Theory of Immersive Aesthetics and Innovation in Serious Gaming

Ieva Gintere, Emmanouel Rovithis, Ágnes Karolina Bakk, Alvis Misjuns
Copyright: © 2024 |Pages: 18
DOI: 10.4018/IJGBL.338218
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Abstract

The study presents the authors' research for the purpose of designing ImGame, a virtual environment inviting users to playfully learn about the concept of immersion and its historical antecedents. The authors describe ImGame's current pre-production stage and examine the basic characteristics of the feeling of immersion. They intend to deepen the current understanding of the immersive experience in art, taking into account its broad cultural connotations. The article suggests that the aesthetics of immersion can be classified into two psychological modes that have not been explicitly defined in the discourse of immersivity: a calm reflection and one of awe. From the technical standpoint, the project offers a simple handling of triggering animations and events of the game as well as storing of their state in order to create gamification elements, interactions for quizzes and other activities for ImGame or any other game using the a-frame framework to create WebXR experiences.
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Benefits Of Imgame: Creativity And Immersiveness In Artistic Education

Researchers have broadly demonstrated the importance of creativity in contemporary education (Laal et al., 2014; de Cassia Nakano Primi et al., 2018; Belén Calavia et al., 2021), and yet the interdisciplinary ideas of culture and art in the 21st century that can stimulate the creative thinking have not been used in serious gaming to date. The ImGame project is focused on the modern aesthetics of immersion and aims to educate users about its conceptual issues as well as initiate their creative fantasy. The idea of the project is related to the fact that the educational curricula for the general public (with an exclusion of some specific schools of art and culture) do not teach the historical and interdisciplinary ideas of cultural thought inherited by the art of the 21st century from previous eras. Consequently, this cultural matrix with its rich background is not being used to stimulate deep thought and facilitate students to generate new concepts. Not as much the cultural facts, but creativity itself is actually the central benefit of artistic and cultural education for young people and other enthusiasts because it can help open fresh horizons of thought and lead to innovative approaches that are important for the modern society to solve challenges, such as pandemic, poverty, war and global ecological problems. Such challenges require intellectual capacity that we need to enhance, and cultural education is one of the ways to stimulate it.

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