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“Carnival and commedia dell’arte. Initiation rituals and Greek tragedy. Space travel and hockey. From Paleolithic times to the present, people have used masks to add power and mystery to religion, warfare, and entertainment” (Nunley, McCarty, Emigh, & Ferris, 1999).
In all cultures throughout time, facial masks have been used to celebrate, practice war games, mourn death, and explore fantasies. As civilization has evolved, the idea of hiding behind a mask and acting through alternative perspective has remained. In this study, the authors will bridge theory to practice in an attempt to make a case for the use of Avatars (i.e., alternate identities found in virtual worlds) to cognitively move students toward accomplishing academic objectives within classroom activities; not just for the sake of entertainment or hype.
This study will discuss the pedagogical advantages of using avatars to motivate or engage with identity transformation. The avatars (virtual characters) found in virtual 3D worlds or “metaverse” of online communities hold potential for students to explore academic ideas and build “scientific habits of mind” (Steinkuelher & Chmiel, 2006).
Psychological Nature of Avatars
In research specifically targeted to the psychological impact of avatars in video games, Lim and Reeves (2005) found that, through the use of avatars, “players become emotionally and psychologically involved in the game” and children learn to negotiate the fictional world through symbolic representation. The symbolic representation found in most virtual 3D environments transmediates language, cultural, age, race, and gender. Psychologically, the avatar has agency, is able to make choices, can operate from a sense of personal control (Rotter, 1966; Taylor, 1989). Through agency, players are intrinsically motivated to engage in an activity (deCharms, 1968; Deci, 1981).
The personal choice and the psychological nature of behavior can be influenced by childhood dreams and fantasies, as evidenced by the Harry Potter, Percy Jackson, and Twilight series movies and books, which have fascinated millions of children and adults around the world. It is not a coincidence that our dreams, fate, and personal beliefs are mutually inclusive. Harry Potter (Rowling, 1998) has “the magic” to exercise control over his environment. Percy Jackson (Riordan, 2005) overcomes life’s obstacles using his “Olympic” powers. In the Twilight (Myer, 2006) series, the adolescent protagonist Edward, is superhuman, immortal, and able to magically protect or kill humans but protects Bella from danger. As with popular novels, within a virtual 3D environment, players “become” the avatar, take on the powerful traits of a character, and interact with the rules and content found in immersive environments. For instance, taking on the perspective of Lt. Powell, an OSS agent in North Africa (EA Games, 2002), students learn history (World War II) through a multimodal perspective, fully engaged in the intricacies of war. Personal choice then becomes the fine line between superhero and villain.